Disclosure return with Never Enough, their first new music in fifteen months and their first since the ENERGY campaign wound down at the end of 2020. Released through Island Records, the EP finds the Lawrence brothers doubling down on the dusty UK garage-house sound that has defined their post-Caracal run — four original tracks and four radio-ready edits that sound just as comfortable in a sweaty basement as they do on a festival main stage.
Title track Never Enough sets the tone immediately: clipped vocal stabs, a shaker-led swing and a bassline that rolls with genuine physical weight. It’s unhurried, almost conversational, the kind of track that sounds like it was finished at four in the morning and left with its imperfections lovingly in place. Seduction digs deeper into the same crate — stuttering two-step drums, dusty organ chords and a cycling synth line that circles the mix without ever crowding it. Both are built on that loose, skippy groove Disclosure have been perfecting since Settle, all swing and patience and air.
Happening is the most propulsive of the four, its urgent, doubled-up vocal hook and skipping percussion edging towards proper two-step territory while the warm low-end keeps everything grounded. In My Arms, the longest of the originals at over six minutes, is the closest thing to an afterglow moment — pillowy pads and a more reflective, open-hearted groove that drifts rather than pushes, and over its six minutes the EP’s emotional arc lands cleanly.
Never Enough was Disclosure's first release in 15 months.
The four edits — Never Enough (Edit), Seduction (Edit), Happening (Edit) and In My Arms (Edit) — trim each track to around the three-and-a-half minute mark, tightening the arrangements for radio and streaming without sacrificing the swing that makes the originals work. They’re useful companion pieces rather than afterthoughts, and each one preserves the essential character of its source: the edits aren’t the point of the record, but they show how confidently these tracks stand up when their fat is trimmed.
Self-produced and self-recorded, with the brothers handling everything from the songwriting to the final mix, Never Enough feels like a statement of comfort in their own skin. It’s not a reinvention — it’s a consolidation, and a welcome one. Four originals that all earn their place, four edits that serve them well, and a sound that’s unmistakably Disclosure — this is the duo, settled into a groove and making it feel effortless.
