The artwork for the EP Oddkin by Tristan Arp

Mexico City-based producer Tristan Arp has been one of the most quietly inventive voices in organic electronica since last year’s acclaimed Sculpturegardening on Whities/AD93. Oddkin, his debut for Human Pitch—the label he runs alongside Simisea—takes its title from Donna Haraway’s term for the strange kinships that form between unrelated species, and it suits the record perfectly. Each of the five tracks is imagined as a living creature: animate, asymmetric and somehow breathing.

Arp’s music has always felt grown rather than built, and Oddkin doubles down on that quality. Rhythms rarely settle into a straight pulse; instead, struck-metal percussion and wooden clicks gather into polyrhythmic clusters that drift in and out of phase, whilst warm analogue pads and deep, subby bass hold the pieces together. Field recordings and faint vocal fragments surface and sink like things moving under water. It’s experimental, but never academic—every gesture feels tactile, almost physical.

Opening track Seed sets the tone with a low, slow pulse and granular textures that gradually bloom into life, living up to its name. Unfurling is the most immediately melodic of the five, its rippling synth pattern and patient build making it the EP’s most accessible moment. Invertebrate moves with a distinctly animalistic shuffle, its off-kilter drums and glistening high-end suggesting something skittering across a forest floor, whilst the title track Oddkin pairs a hypnotic, interlocking groove with a gorgeous, submerged chord sequence. Closer Sonmi-451—named after the android protagonist of David Mitchell’s Cloud Atlas—ends on a note of quiet wonder, all suspended tones and gently swaying rhythm.

With Oddkin, Arp has made a record that rewards patience and close listening. It’s not an EP of hooks but of habitats—each track a small world you can return to and find something new moving in the undergrowth. Five tracks, each one distinct, all clearly the work of the same hand. On his own label, Arp sounds entirely at home, and Oddkin is a confident statement of intent for Human Pitch.