The artwork for the album An Ocean of Thoughts by Comit

Comit is the new alias of James Clements, the UK producer who has spent the best part of two decades refining a shadowy, Autonomic-inspired strain of drum & bass under the ASC name. An Ocean of Thoughts, his debut album as Comit, arrives on A Strangely Isolated Place as the label’s 29th release, and it’s a bold about-face. Gone is the sub-bass pressure; in its place sit eight tracks of blissed-out, melody-led IDM that glow rather than glower—a record that earned its spot in Bandcamp Daily’s best electronic releases of April within days of landing.

Opening track An Ever Decreasing Circle wastes no time establishing the mood. Over its six minutes, warm pads swell around a sparse, echoing piano motif whilst a soft pulse keeps time far below—a beat in name only, content to let the melody take the foreground. Still Life pushes gently towards the dancefloor without ever committing, its crisp percussion and plucked synth lines recalling Boards of Canada’s pastoral side, the chord changes arriving with real patience across seven unhurried minutes.

Shorelines and Timelapse form the record’s sunniest stretch. The former shimmers with a vintage synth lead drifting over a shuffling, lo-fi groove, whilst the latter builds a slow, arpeggio-driven climb that never quite peaks, preferring to hover in a state of suspended contentment. Through the Haze is the closest the album comes to restraint, its muted chords and distant field recordings dissolving into texture rather than tune.

The back half is where Clements’ rave-adjacent instincts surface most clearly. Drifting locks into a proper four-to-the-floor pulse beneath its dreamy chords, and Aurora—the album’s standout—pairs a luminous arpeggio with a bassline that finally earns the record its warmth, all deep reverb and glistening tops. Closer Silver Strand winds down gracefully, folding the album’s themes back into near-silence.

That An Ocean of Thoughts comes from an artist best known for drum & bass makes its coherence all the more impressive. Clements has traded darkness for warmth without losing any of the textural detail that made his earlier work so absorbing, and the result is an ambient-adjacent record with real melodic backbone. It’s a debut that asks for patience and rewards it generously—a quiet, glowing triumph for a producer remaking himself.